Feminist Time Against Nation Time offers a series of essays that explore the complex and oftentimes contradictory relationship between feminism and nationalism through a problematization of contemporality. The collection pursues the following questions: how do the specific temporalities of nationalism and war limit and delimit public spaces in which dissent might happen; and how might we account for the often contradictory and ambiguous relationship of "feminism" and "nationalism" through an exploration of the problem of time?

Svijest o tehničkoj reproduktibilnosti umjetničkog djela povela nas je iz područja promišljanja umjetničkog djela prema estetizaciji svakodnevice , društvu spektakla, mekdonaldizaciji i diznijevskoj amerikanizaciji kulture cijeloga svijeta.Umnažanje je postalo ponavljanje koje zavodi, odnosno uspostavlja nove odnose kulturne i svake druge ovisnosti. Pokazalo se da u svijetu »množina« vladaju zakonitosti koje određuju današnjeg čovjeka više nego je to filozofija spremna detektirati. Snaga i uvjerljivost epa danas je sadržana u malim sloganima, uz pomoć kojih se upravlja javnim mnijenjem i masama massmedijski oblikovanih (...) potrošača informacija. Slogani su sonde pomoću kojih globalne korporacije osvajaju strukture mišljenja i govora. Umnažanje reklamnih poruka, političkih slogana, ratnohuškačkih rečenica i spektakularnih ispraznosti – završava u copy/paste kulturi, koja, nesvjesna mehanizama i tehnologija, polako ali sigurno počinje zauzimati mjesto na policama dućana globalnih trgovaca. McLuhanovo djelo "Mechanical Bride" prvo je na ozbiljan način promišljalo značenje koje naizgled obični reklamni slogani mogu imati na oblikovanje svjesne i nesvjesne pozicije potrošača. Analizom njegova pristupa u ovom manje poznatom djelu te usporedbom s nekim indikativnim suvremenim pojavama hrvatske i svjetske javnosti – ocrtava se kontekst kojega suvremeno filozofijsko mišljenje ne smije ispustiti iz vida.The awareness about the reproductiveness of artwork led us from the field of discussion about artwork to the aesthetization of the everyday , to a society of spectacles, to McDonaldization and the Disneyesque Americanization of the entire world culture.Multiplication became a seductive repetition, setting up new relations of cultural and other addiction. It seems that in a world of “plurals” there are laws that define today’s man more than philosophy is prepared to detect. The strength and convincingness of epics is sublimated into little slogans, used to manipulate public opinion and hordes of information consumers shaped by the mass media. Slogans are really probes with which global corporations conquer the structures of opinion and speech. The multiplication of advertising messages, political slogans, warmongering sentences and spectacular meaninglessness – ends up in a copy/paste culture, which is, unaware of mechanisms and technologies, slowly but surely starting to take its place on the store-shelves of global marketers. McLuhan’s work "Mechanical Bride" was the first to seriously consider the meaning that the seemingly common advertising slogans can have for the shaping of a conscious and unconscious position of the consumers. By analyzing his approach in this less known work and comparing it with certain suggestive modern phenomena in the Croatian and world public – we outline a context, which should not be eft out of the sight of the modern philosophic thought. (shrink)

Da je svijet postao globalnim selom danas čujemo gotovo svakodnevno, na bilo kojoj geografskoj širini. McLuhanova metafora gotovo da je na mitski zoran način oslikala procese koji se zbivaju u suvremenom nam svijetu i kao takva postala je općepoznatom i općeprihvaćenom. Ovaj rad istražuje na koje je načine »globalno selo« najavilo globalizaciju.Marshall McLuhan je inače, već od djela Mechanical Bride počeo prepoznavati i najavljivati trendove koji će kasnije uistinu postati globalnima: od poruka oglasne industrije, promjene recepcije medija koji nam donose (...) poruke, do promjena naših uloga u svijetu…Cilj ovog rada je istražiti i prezentirati dosege McLuhanove »najave« globalizacije, posebno u djelu Global Willage, djelu u kojemu je McLuhan otkriće trendova pokušao staviti u okvire »četverostupanjske zakonitosti«. Rad želi pojam globalizacije motriti u svjetlu McLuhanovih istraživanja odnosa vizualnog i audijskog, u kontekstu analize utjecaja vizualnih tehnologija na čovjeka, te promisliti neke McLuhanove teze o robotizmu.We are hearing almost every day and on each latitude how the world has become a global village. McLuhan’s metaphor in an almost mythical way gives depicts the processes happening in our contemporary world and as such has become renowned and recognized. This paper shall examine in which ways that “the global village” has announced globalization.Marshall McLuhan had since The Mechanical Bride started recognizing and heralding the trends which would later actually become global: from the messages of the advertising industry, the change in the reception of the media which transmit messages to us, to the changes of our roles in the world etc.The aim of this paper is to examine and present the scope of McLuhan’s “heralding” of globalization, especially in the part of The Global Village in which McLuhan tries to place the discovery of trends into “four degree legality” frames. The paper would like to examine the concept of globalization in light of McLuhan’s research of the relationship between the visual and audile, within the context of the analysis of the influence of visual technologies on Man, and rethink some of McLuhan’s theses on robotics. (shrink)

The impact of the Holocaust on the descendants of survivors and the ways in which they embrace, embody and memorialise their family histories is the subject of this paper. The paper explores intergenerational storytelling and silences about the Holocaust through the lens of the number that was tattooed on the bodies of inmates in the Auschwitz complex and has been replicated on the bodies of some survivor descendants. The number has become a symbol of the crimes of the Holocaust though (...) its meaning has changed during different periods of Holocaust remembrance. Using the genealogy of the tattoo, this paper explores its meaning in relation to private and public memorialisation for the descendants of survivors living in Israel who have replicated the number on their own body. An earlier version of this paper was presented in December 2020 at La Trobe University’s Agnes Heller Annual Sociology Lecture. (shrink)

Die Reihe Monographien und Texte zur Nietzsche-Forschung (MTNF) setzt seit mehreren Jahrzehnten die Agenda in der sich stetig Nietzsche-Forschung. Die Bände sind interdisziplinär und international ausgerichtet und spiegeln das gesamte Spektrum der Nietzsche-Forschung wider, von der Philosophie über die Literaturwissenschaft bis zur politischen Theorie. Die Monographien und Sammelbände unterliegen jeweils einem strengen Peer-Review.

Theodor Adorno once wrote an essay to "defend Bach against his devotees." In this book Dana Villa does the same for Hannah Arendt, whose sweeping reconceptualization of the nature and value of political action, he argues, has been covered over and domesticated by admirers who had hoped to enlist her in their less radical philosophical or political projects. Against the prevailing "Aristotelian" interpretation of her work, Villa explores Arendt's modernity, and indeed her postmodernity, through the Heideggerian and Nietzschean theme (...) of a break with tradition at the closure of metaphysics.Villa's book, however, is much more than a mere correction of misinterpretations of a major thinker's work. Rather, he makes a persuasive case for Arendt as the postmodern or postmetaphysical political theorist, the first political theorist to think through the nature of political action after Nietzsche's exposition of the death of God. After giving an account of Arendt's theory of action and Heidegger's influence on it, Villa shows how Arendt did justice to the Heideggerian and Nietzschean criticism of the metaphysical tradition while avoiding the political conclusions they drew from their critiques. The result is a wide-ranging discussion not only of Arendt and Heidegger, but of Aristotle, Kant, Nietzsche, Habermas, and the entire question of politics after metaphysics. (shrink)

Benardete paradoxes involve infinite collections of Grim Reapers, assassins, demons, deafening peals, or even sentences. These paradoxes have recently been used in arguments for finitist metaphysical theses such as temporal finitism, causal finitism, and discrete views of time. Here we develop a new finite Benardete-like paradox. We then use this paradox to defend a companions in guilt argument that challenges recent applications of patchwork principles on behalf of the aforementioned finitist arguments. Finally, we develop another problem for those applications by (...) examining the notion of exact duplication. (shrink)

This Very Short Introduction explores the philosophical ideas and political theories of Hannah Arendt (1906-1975). As a survivor of the Holocaust, Arendt's life informed her work exploring the meaning and construction of power, evil, totalitarianism, and direct democracy. Through insightful readings of Arendt's best-known works, from The Origins of Totalitarianism (1951) to The Life of the Mind (1978), Dana Villa traces the importance of Arendt's ideas for today's reader. In so doing, Villa explains how Arendt gained world-wide fame with (...) the publication of Origins, and went on to have a distinguished career as a political theorist and public intellectual. A sometimes controversial figure, Arendt is now recognised as one of the most important political thinkers of the twentieth century and her works have become an acknowledged part of the Western canon of political theory and philosophy"--From the publisher. (shrink)

The view that ordinary objects are composites of form and matter ("hylomorphism") can be contrasted with the more common view that ordinary objects are composed of only material parts ("matter only"). On a matter-only view the hard question is modal: which modal profile does that (statue-shaped) object have? Does it have the modal profile of a statue, a lump, a mere aggregate? On a hylomorphic view the hard question is ontological: which objects exist? Does a statue (matter-m + statue-form), a (...) lump (matter-m + lump-form), and/or a mere aggregate (matter-m + mere aggregate-form) exist? I defend a novel answer to the hard question for hylomorphism. In particular, I argue that which ordinary objects exist depends, in part, on how subjects respond to the matter they encounter. I argue that, with regard to grounding the existence and modal properties of ordinary objects, response-dependent hylomorphism is superior to both matter only views and to non-response-dependent versions of hylomorphism. (shrink)

Originating as a proponent of U.S. exceptionalism during the Cold War, American Studies has now reinvented itself, vigorously critiquing various kinds of critical hegemony and launching innovative interdisciplinary endeavors. _The Futures of American Studies_ considers the field today and provides important deliberations on what it might yet become. Essays by both prominent and emerging scholars provide theoretically engaging analyses of the postnational impulse of current scholarship, the field's historical relationship to social movements, the status of theory, the state of higher (...) education in the United States, and the impact of ethnic and gender studies on area studies. They also investigate the influence of poststructuralism, postcolonial studies, sexuality studies, and cultural studies on U.S. nationalist—and antinationalist—discourses. No single overriding paradigm dominates the anthology. Instead, the articles enter into a lively and challenging dialogue with one another. A major assessment of the state of the field, _The Futures of American Studies_ is necessary reading for American Studies scholars. _Contributors._ Lindon Barrett, Nancy Bentley, Gillian Brown, Russ Castronovo, Eric Cheyfitz, Michael Denning, Winfried Fluck, Carl Gutierrez-Jones, Dana Heller, Amy Kaplan, Paul Lauter, Günter H. Lenz, George Lipsitz, Lisa Lowe, Walter Benn Michaels, José Estaban Muñoz, Dana D. Nelson, Ricardo L. Ortiz, Janice Radway, John Carlos Rowe, William V. Spanos. (shrink)

I argue there are some objects which do not respect the Law of the Excluded Middle, i.e., which are such that, for some property F, the disjunction Fo v ~Fo fails to be true. I call such objects “odd objects” and present three examples—fictional objects, nonsort objects, and quantum objects. I argue that each of these objects is best understood as violating LEM. I, then, discuss Jessica Wilson’s account of metaphysical indeterminacy. I show how the indeterminacy which arises with odd (...) objects can be accounted for on Wilson’s account. I, then, argue that my Wilson-inspired, but non-LEM-respecting, account of metaphysical indeterminacy is superior to Wilson’s in terms of costs and benefits. (shrink)

Psychoanalysts working in clinical situations are constantly confronted with the struggle between conservative forces and those which enable something new to develop. Continuity and change, stasis and transformation, are the major themes discussed in _The Work of Psychoanalysis_, and address the fundamental question: How does and how can change take place? _The Work of Psychoanalysis_ explores the underlying coherence of the complex linked issues of theory and practice. Drawing on clinical cases from her own experience in the consulting room (...) class='Hi'>Dana Birksted-Breen focuses on what takes place between patient and analyst, giving a picture of the interlocking and overlapping vertices that make up the work needed in psychoanalysis. Some of the key topics covered include: sexuality; aspects of female identity; eating disorders; time; dreams; disturbances in modalities of thought; and terminating psychoanalysis. This book draws different traditions into a coherent theoretical position with consequences for the mode of working analytically. _The Work of Psychoanalysis_ will appeal to psychoanalysts and academics in psychoanalysis, psychotherapists, as well as postgraduate students studying courses in these fields. (shrink)

:High-fidelity simulation is a relatively new teaching modality, which is gaining widespread acceptance in medical education. To date, dozens of studies have proven the usefulness of HFS in improving student, resident, and attending physician performance, with similar results in the allied health fields. Although many studies have analyzed the utility of simulation, few have investigated why it works. A recent study illustrated that permissive failure, leading to simulated mortality, is one HFS method that can improve long-term performance. Critics maintain, however, (...) that the use of simulated death is troubling and excessive. Given the controversy regarding simulated death, we consider the data about the educational value and the emotional harms associated with them, expecting that evidence could be useful in resolving the question. The goal of this narrative review is to explore the argument against simulated mortality and provide educators with an imperative as to why it can be safely utilized. (shrink)

The long-awaited follow-up to Koller's bestselling chronicle of self-discovery An Unknown Woman outlines how Koller has used her personal philosophy to meet the challenges of everyday life and invites readers to make their own commitment to honest living. Topics include earning money, finding a home, mourning, and feeling good about living alone as well as with others.

On the basic concepts of the philosophy of the Vedas.

On musical patterns and meditation towards realization of Nada Brahman.

This article is currently available as a free download on ingentaconnect.

This paper tracks the development of Boyle’s conception of the natural world in terms of the popular “book of nature” trope. Boyle initially spoke of the creatures and phenomena of nature in a spiritual and moral register, as emblems of divine purpose, but gradually shifted from this ideographic view to an alphabetical account, which at times became posed in explicitly cryptographic terms. I explain this transition toward cryptographic metaphors in terms of Boyle’s social and intellectual milieu and their concordance with (...) the reductive and conjectural character of the mechanical philosophical program. (shrink)

A deeply personal reckoning with family, mental illness, and suicide, Dana Trusso captures the meaning of Nietzsche's armor fati--to love one's fate--through her surreal imagery and longing to heal intergenerational wounds. Lines are drawn from Lars von Trier's Melancholia, Sonic Youth's Experimental Jet Set, Trash and No Star, and lines she read from her aunt's journals as a child. -/- The photo is a sculpture of an earth goddess by Jean-Philippe Richard located in the botanical gardens of Èze, France. (...) Nearby is Le Chemin de Nietzsche, a steep hike from the seaside to mountainous ruins that is said to have inspired Thus Spoke Zarathustra. (shrink)

This essay explores what is at stake while considering the change and identity of objects over time. Philosophers worry about an object having incompatible properties in part due to the fact that it is ruled out by Leibniz's Law. They have preferred to hold on to Leibniz's Law and to find some other way to resolve the problem of an object's changing its properties over time. The chapter examines three accounts of how objects change over time without violating Leibniz's Law: (...) endurance, perdurance, and exdurance. The chapter finally provides a brief discussion of something that has been much neglected in the literature on persistence, namely, mixed theories. (shrink)

Graphic medicine, an interdisciplinary field situated at the crossroads of comics and healthcare, operates as a medium through which the intricate nature of experiences with illness can be articulated, challenging orthodox medical dogmatism in an engaging and accessible way. Combining the affordances of comics and the narrative power of storytelling, graphic medicine elucidates the socio-cultural stigmatization of dementia influenced by a multitude of discourses. Diverging from existing discourses that depict individuals with Alzheimer’s disease (AD) as zombies, brain-dead, or empty shells, (...) graphic memoirs reconstruct these reductive notions and represent them as imaginative, productive, and perceptive. Taking these cues, the present paper close reads some sections of Dana Walrath’s (2016) Aliceheimer’s: Alzheimer’s Through the Looking Glass in order to demonstrate how graphic medicine reconceptualizes the preeminent hallucinatory experiences of her AD-afflicted mother, Alice, as visions. Walrath deploys collage art to epitomize Alice’s ordeal with AD. In particular, Walrath deploys thought-provoking fragments from Lewis Caroll’s Alice in Wonderland, strategically to proximate Alice’s experiences with AD and tackle the problem of dementia and sociality. Additionally, the paper explores how the text fosters interdependence, respect, and trust to recognize and restore Alice’s personhood. The paper concludes by discussing how Aliceheimer’s operates as an alternative paradigm beyond the confines of biomedical and cultural models of dementia through the use of lexical puissance. (shrink)

As major clothing suppliers are being forced by competition to cut costs, is this inevitably leading their suppliers to cut corners in working conditions, and what ethical considerations are relevant? The author is completing her MBA at London Business School and has a background in the textile industry.

In standard modal logic, □ ≡ ∼◊ ∼ and ◊ ≡ ∼□∼. I will, first, examine why in tense-logic, Arthur Prior thinks that ∼ ◊ ∼ is weaker than □ and ∼ □ ∼ is weaker than ◊. I will, then, examine whether there are similar motivations in modal logic to take ∼ ◊ ∼ to be weaker than □ and ∼ □ ∼ to be weaker than ◊. The upshot will be that, just as certain metaphysical views within the (...) philosophy of time motivate one to deny the standard tense equivalences, certain metaphysical views within the metaphysics of modality motivate one to deny the standard modal equivalences. (shrink)

Etudes présentées au Colloque Pascal, thématique des Pensées à l'Université de Western Ontario en 1984.